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Hasbro made two big deal announcements this week for movies based on their properties. The bigger news is the long-in-development movie based on the classic board game Candy Land. The movie was recently one of several Hasbro projects dropped by Universal Pictures, which still has Battleship, the first movie produced under that disintegrating deal, coming out this summer. Hasbro moved Candy Land to Columbia Pictures, along with attaching Adam Sandler and his Happy Madison production company. Adam Sandler will star in Candy Land, as well as cowrite with Robert Smigel, who also worked with Sandler on You Don't Mess with the Zohan. There's no word as to whether any of the previous writers will remain involved, but director Kevin Lima (Enchanted, 102 Dalmatians) is still attached to direct Candy Land despite the studio move. First published in 1949, Candy Land is a children's board game that takes players through a series of candy-themed areas such as the Candy Cane Forest, the Lollypop Woods and Gum Drop Mountain. There are several male characters in the game, such as Lord Licorice, Mr. Mint and King Candy, but it's not yet known what role Adam Sandler will be playing. This was also the week that Hasbro announced that the (even longer in development) movie adaptation of the 1970s "tug of war"-friendly superhero toy Stretch Armstrong is no longer based at Universal Pictures either. Stretch Armstrong is now in development at Relativity Media, the mini-studio responsible for such recent releases as Haywire, Immortals, Season of the Witch, Shark Night 3D, and Take Me Home Tonight. The move away from Universal also included the dropping of both Taylor Lautner (Abduction, the Twilight movies) and director Rob Letterman (2010's Gulliver's Travels; codirector of Shark Tale, Monsters vs Aliens). Even without any writer, director or star currently attached, Relativity Media has already scheduled Stretch Armstrong for a release date of April 11, 2014. Both of these stories can be considered Rotten Ideas (especially Candy Land).
Why does this movie sound like sugary crap to me?