And we are off! Sorry no pictures for the time being but will try and get some as I go along.
Films which didn't quite make it for the letter A include, American Beauty, Amour Sour (Fat Girl), Alien, Alice in Wonderland (Disney Animation version), The Apartment, Audition, Anatomy of a Murder, Aguirre Wrath of God, All About Eve, Amarcord, Ashes and Diamonds, L'Avventura.
A - Annie Hall (1977)
Director: Woody Allen
Cast: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Paul Simon, Shelley Duvall, Janet Margolin, Christopher Walken, Colleen Dewhurst
Running Time: Roughly 89 Minutes
Review: A cornerstone moment for Allen playing a version of himself as nervious, yet scastic new comedian Alvy Singer whose love life takes an up turn when his friend introduces him to lonely night club singer Annie Hall (Diane Keaton). No sooner have the pair fallen in love, than Alvy is driving Annie away with his over the top insecurities, leading to Annie leaving him for another man and moving to Los Angeles, with Alvy soon in hot persuit.
The film has its critics many of whom claim that it is sexist, and gives very little for Keaton in the title role to do, but I counter that view with the idea that she is for the most part mistreated by Alvy and yet still comes off as a bright, sprited and complex character. Not to mention that Keaton gives one of the most gentle comic performances of a female star to date and rightly won a best actress oscar.
As well as Alvy's mission to overcome his issues with love, we also get the classic Allen observations of city life, culture and everything in between. The engery and comic timing of Woody Allen in this film and many which were to come was what made up for his lack of acting chops, and his style has been mimic many times since (see George in Seinfeld).
Not only do the sharp one liners come thick and fast, but the script co-writer by Allen along side Marshall Brickman plays with tredition romantic comedy conventions with a fragmented, self-referencing style, where a scene which feels real, will be broken up with a character (often Alvy) talking outside of the scene or a moment where a more surreal aspect is introduced.
Allen successfully wrestles with his image as an up tight big city jew which fans of his stand up days will relate to. Singer is seen as a classic new york character and his moody put downs of LA and the Hollywood way of living can been seen as representing Allen's real life feelings towards LA and the politics of the Hollywood film business.
All this plus stirring shots of the city make for one of the most entertaining views of love, the sexes, big city life and everything else ever assembled on film. Annie Hall won three other Oscars along side Keaton's Award, Best Picture (Deserved), best Director (debatable) and best original screenplay (very much deserved).
Favourite Scene: The Lobster in the Kitchen scene.
Runner Up: The annoying man in the cinema line scene.
Quote/Unquote:
Alvy: "Your having an affair with you college professior, that jerk that teaches that crap course - contemporary crisis in Western man"
Annie: "Existantial motifs in Russian Literature, your really close"
Alvy: "Whats the difference it's all mental masturbation"
Annie: Oh, we finally get to a subject you know about"
Alvy: Hey don't knock masturbation It's sex with someone I love"
Rating 10/10