Official Catwoman theme for your listening pleasure. All of the music dropping for this has been so good.
It is hard to believe that we are only a week away from The Batman finally hitting theaters and one of the most exciting elements leading up to the release of the film has been director Matt Reeves and composer Michael Giacchino slowly teasing the musical score. If hearing the themes for Robert Pattinson’s Batman, Zoë Kravitz’s Catwoman, and Paul Dano’s The Riddler was not enough to hold you over until the film comes out, Reeves has announced that the entire soundtrack is now available to listen to.
Reeves took to his Twitter to make the announcement telling fans to “turn the volume up” as all 29 tracks of the musical score have dropped. The first 3 character themes that were previously released set the stage for an extremely atmospheric experience that combined the emotionally thrilling feel of Hans Zimmer’s Dark Knight Trilogy score with the euphoric whimsy of Danny Elfman’s sound and mixes in Shirley Walker’s tragic vibe from The Animated Series for good measure. All the while sounding hauntingly unique in its own right and that killer combination bleeds into the rest of Giacchino's score. There are a lot of different elements at play here like eerie piano keys, an abundance of startling sounds almost as if Batman was dropped into a horror movie like The Texas Chainsaw Massacre, some hints of jazz, and satisfyingly gothic undertones that have become synonymous with this brooding character.
Reeves and the great ensemble cast have talked about this film in the past like it was a pseudo horror movie, and it is great to hear the sound embracing that tone while still giving us what we have come to love from The Dark Knight. At least from a score perspective. Also, a lot of the tracks' titles playfully tease certain story or character elements like “Mayoral Ducting,” “Penguin of Guilt," “The Great Pumpkin Pie,” “Meow and You and Everyone You Know,” and “An Im-purr-fect Murder.” The latter two of which are obviously humorous puns involving Catwoman.
The best soundtracks can tell a story without the images to back them up and Giacchino’s emotionally well-balanced score is a fine example of that. There are so many questions surrounding this new Batman adventure, even with a week to go until the film’s release. For example, what is The Riddler’s endgame, or how is Bruce Wayne and his family connected to this puzzling adversary’s mission? However, the one definitive answer we do have at the moment is that Giacchino absolutely delivers with The Batman score. Giacchino had an insanely tough challenge given that this is the tenth Batman film in just over 30 years' time and when it seemed like everything had been done regarding the character, the composer arguably gives his best score to date.
I quite liked his Bruce Wayne as well. Sadly for Affleck he was just in the worst batch of movies they released, but the Snyder Cut was good.Seeing it in 20 hours. I have high hopes for it but I still hope Affleck will reconsider someday.
He was surprisingly good. Definitely better than Bale for me. l believe people tend to overrate him because the movies were good.I quite liked his Bruce Wayne as well. Sadly for Affleck he was just in the worst batch of movies they released, but the Snyder Cut was good.
“The Batman,” Matt Reeves’ pitch-black take on the oft-told story of the billionaire who became a costumed crime fighter, earned a muscular $21.6 million in Thursday previews. The superhero reboot is eyeing a debut of $100 million or more, buoyed by good reviews and interest in Robert Pattinson’s take on the title role. The former “Twilight” heartthrob plays both Batman and his alter ego Bruce Wayne, joining a long list of actors who have donned the cape and cowl that includes Christian Bale, Michael Keaton, Ben Affleck, Val Kilmer and, infamously, George Clooney — unlike Clooney, Pattinson’s costume doesn’t have nipples and a prodigious codpiece.
“The Batman” is a big bet for Warner Bros. and its DC Films division. All that grit, grime and urban rot doesn’t come cheap, and bringing Gotham City and its most famous vigilante to life on screen cost a massive $200 million. That doesn’t include the tens of millions more in marketing and distribution costs. The good news is that some box office prognosticators believe $100 million is on the low-end of things and think “The Batman” has a shot of collecting at least $140 million in its first three days of release. If it does, “The Batman” will be only the second movie since COVID hit to cross the $100 million mark in a single weekend, joining Sony’s “Spider-Man: No Way Home,” which opened last December to a monumental $260 million. Not even a pandemic can keep audiences away from comic book movies.
In addition to Pattinson, “The Batman” stars Paul Dano as the Riddler, Zoe Kravitz as Catwoman, Andy Serkis as Batman’s butler Alfred Pennyworth, and an unrecognizable Colin Farrell as an obese crime lord known as Penguin. Warner Bros. is hoping that fans will flip for Reeves’ take on the comic book saga, giving them another valuable franchise to compete with Marvel.
It is finally opening weekend for Matt Reeves’ highly anticipated The Batman and so far it is off to a killer start at the box office. The film has already grossed $57 million on Friday and is on track for an impressive domestic opening weekend of $120-130 million, but now the international box office numbers for this superhero epic are starting to come in, and they are just as good. According to Deadline, the latest Batman big-screen adventure has made $54 million through Friday in 74 global markets and is speeding towards an international opening weekend total of over $110 million.
The film started its international run early this past Tuesday in Korea before expanding to 73 more markets on Friday. In that market alone it made $26 million so far on 30,218 screens. On top of that, Korea has added $3.52 million to that current total on Saturday which is impressive given that they are currently dealing with an Omicron variant spike.
Other notable markets include the UK where the film has made $6.4 million as of Friday which is also its second-highest opening day since the pandemic began. If you include previews, then it bumps that number up to $6.7 million and this gross is ahead of films like Joker, The Dark Knight, and the recent Sci-Fi epic Dune. However, we all know by now that Dune was severely hindered by its HBO Max/theatrical same day and date release from WB.
Spain also is off to a good start with $1.2 million on 1,103 screens and that is on par with The Dark Knight and nearly double the opening of Dune. Like the UK, this is the second-biggest opening day for the region during the pandemic. Other highlights include The Batman making $5.2 million in Mexico, $4.6 million in Brazil, $4.4 million in France, and $4 million in Australia.