Promo history - volume 10.
"(up)Stream" (02/12/2016).
Jon Snowmantashi def. Michelle von Horrowitz [CWA World Heavyweight Championship] (CWA: Five-Star Attraction).
"(up)Stream" (02/12/2016).
Jon Snowmantashi def. Michelle von Horrowitz [CWA World Heavyweight Championship] (CWA: Five-Star Attraction).
She sat, her knees together and feet apart. Her back was craned into a crooked arch. A camera sat idly in front of her. Her head was in her hands, and she ran her fingers through her short blonde hair, pinching the green ends with her finger nails. She stared down at the murky grey concrete beneath her black boots. Around her, the sounds of some mid-card match permeated the walls of Madison Square Garden, the time counting down towards the main event. Jon Snowmantashi. Michelle von Horrowitz. Five-Star Attraction.
So much of her life in the past month had been little more than a gradual build to this encounter. Now, thirty minutes sat stubbornly between her and the match, and the aches that roared through her body – aches from the sport and aches from the lack of sleep – were beginning a crescendo. Her sister, Bella, had put it well, as the two of them sat in some Manhattan winery after her performance and she described her emotions before it. ”When your stomach’s a storm and all of your weight has sailed across it into your limbs.”
She picked up her rucksack, rummaging through it for the bottle of Jameson’s. Empty. She made a mental to-do list for the remainder of the evening; win world championship, get a new bottle. Setting the thing aside, she stared at the lens of the camera, which sat unused and accusatory. Sighing, the young woman tried to imagine her sister – younger still – going through the same thing in whatever the backstage areas of a place like the Lincoln Centre were like.
Michelle had sat in the auditorium the weekend before, feeling the warmth, luxury, and comfort that surrounded her and regarding it with suspicion. She’d leafed through the program notes, stopping at a random page where the composer – some middle-aged German man named Bram – wrote about his creation. ’My ‘orchestral sonata’ is a piece in which several movements of the same music fight and struggle against one another, but through this forge a collaboration both sweet and sombre’. She slammed the book shut when the musicians began to take the stage, her sister the foremost of a group of three cellists, themselves only a small portion of the string section.
The music had begun with them, the violins rising softly over the deep cellos, whose notes were long and drawn. Violas stirred and a fiddle leaped behind it all, the baritone violins joining the cellos in framing the piece. Each instrument sang a variation on a similar theme, almost waltzing through the opening throws of the song. Michelle stared around at the suited New Yorkers, stroking their chins or holding tiny binoculars up to their faces. Their mood, one of anticipation and longing, matched the direction of the music.
She watched the rest of the musicians, thirty or forty of them, who in turn had their gaze turned on the strings. They were inactive and docile, holding their instruments limply. The whole scene – the slow build of the music which promised more to come, the anticipation etched onto the faces of the punters, the impatient surveying of the rest of the orchestra – dragged her back. She found herself, quite suddenly and unexpectedly, sat high in the bleachers of the Tokyo Dome. It was early 2015 and around her thousands of wrestling fans sat in expectation, eyes directed to the ring positioned centrally.
Within it, two men were standing in opposite corners. One, huge and focussed, rocked from his left foot to his right. The other, taller but much lighter and considerably older, was in good shape for his age. He wore a flamboyant ring robe with the Japanese flag as its focal point and sat coolly on the top turnbuckle. Michelle was perhaps a hundred yards away from them, in-between people she didn’t know, her handful of possessions stuffed into the rucksack between her feet. She’d been in the capital for two months now, and out of the ring herself for twenty four.
This was it; the main event, what they were all here to see. The larger man was introduced as Snowmantashi and the crowd entered their most raucous state of the evening (though everything is relative, it must be remembered). Streamers were thrown into the ring. The man only stared at his opponent, methodically rocking from foot to foot. When the taller man was introduced there was only silence. He was older, less imposing, a man bred to lose. The crowd watched on impatiently, the champion waited for his cue, the strings went on singing. No streamers were thrown, and Snowmantashi stared straight through his opponent as the bell sounded.
In 2016, in her locker room at the Garden, Michelle von Horrowitz hit record on the camera.
“Tulips, the hour of reckoning has arrived.”
A long, deliberate pause. Michelle was still seated on a bench positioned in the corner of her locker room, which was larger than usual. The benefits of being in the main event, she supposed. It seemed bigger still with Michelle’s rucksack, a tall locker, and the bench on which she sat as its only contents.
“But not my hour of reckoning. Nor that of Jon Snowmantashi, though he will feel like it has been when the final bell tolls. Rather, the hour of reckoning for the CWA has finally come. And not a second too soon, either, for we find ourselves in the darkest of days. Our champion will not wave the banner, except for contract signings and knowing glances from the stage, and we rely on has-been’s and never-be’s to sell pay-per-views. But all is not lost. Tonight is the night on which things begin to change.”
Change. The music seemed to transition abruptly, horns colliding with strings like waves crashing themselves against the rocks. But, by some strange device, after a few moments it seemed as if it had been this way since the music had begun. Bella still bowed away at her cello, drawing out her longing notes as the horns marched and rallied against the calm shores. Michelle sat and watched in her borrowed comfort in the Gods at the Lincoln Centre.
The first battle cries of the horns were echoes of the first bell in the Tokyo Dome, with Snowmantashi charging down his opponent as soon as he’d had half a chance to remove his robe. A flourish of clubbing forearms and stiff kicks followed, the sickening thuds resonating around the arena and accompanied by the audience recoiling in unison. After ten seconds, the serenity and anxiety that had accompanied the introductions was a distant memory. After ten minutes, Michelle refused to believe there had ever been any calm about this man. He was huge, savage, unrelenting. Fists, elbows, shins, and headbutts. The old hand could do nothing in response. He could barely stand.
“Some of you may wonder what I know of waiting,” Michelle continued, in her locker room at the Garden. “Six editions of Adrenaline Rush and the Wrestle Royale are all you’ve seen of me, and already I sit here, waiting to walk out in the main event of the biggest show of the year. But my journey did not begin on the night I defeated Anna Malikova. In 2007, I stepped into the ring for the first time, in front of a dozen people in some decrepit little Marseille gym. For five years, I scraped out a living in France and Germany, in Britain and Russia, and of course, in Japan. Whether there were ten people watching on or a thousand, when the final match ended and they made their way down dark streets towards lonely homes, they’d each agree on one thing; that night, they’d seen the Michelle von Horrowitz show.
“And then nothing. On the cusp of the fame and success and respect that I’d slowly earned, I walked away from it all. Through injury, fatigue, and general dissatisfaction, I left the squared circle, and retreated into the shadows. For two and a half years, I watched as undeserving fools held up little gold belts, calling themselves the best in the world and squabbling over nonsense whilst the sport bled out around them. The fans began to value a stiff kick and flashy ring gear above strategy and success. The titans of the game became covetous, and they sought out the gold for their own glory rather than the good of the sport. And I watched on, I said nothing.
“I sat in my corner whilst the music died. There was nothing I could do, I told myself. The fate of my beloved sport was out of my hands. Even if I relented, and came to the States and fought in the big leagues, there was nobody who shared my ideals; my vision for this art. I could not wrestle myself every week. And so I kept on waiting as the silence took hold, and no sound stirred but the screams of my discontent.”
She paused, straightening her back, gaze still intent on nothing besides the lens. Her mind should’ve been fixed on the immediate future and the kaiju that waited that night, but it was intent on swimming back into the distant past. The sounds of Madison Square Garden – the jeers and fawns of the fickle audience, the occasional signals of the bell, the muffled entrance themes played by way of introduction or celebration – seemed distant and insignificant, replaced instead by her sister’s sonata. She was dragged into the Lincoln Centre once more, as the plucked strings entered the fray to accompany their bow-borne sisters.
The horns had dominated the piece for a handful of minutes, trumpets charging in elaborate flourishes whilst half a dozen trombones bombarded the violins from across the stage. A pair of tubas underscored their smaller, brass companions, whilst a lone saxophonist tied them all together, beckoning them onwards in the assault. But, slowly at first, as if with trepidation, a duo of harpists stirred into life. One re-enforced the drawn notes of the bowed string section, whilst the other danced amongst the domineering trickery of the trumpets, as if in mockery. They were flanked by a rumbling double bass and a sad mandolin, providing respite and beating back the horns.
“And then, after two and a half years, I realised it was time,” she continued, fingers playing with the bottom of the baggy green t-shirt she’d wear to the ring that night in New York. “It was time for me to come here, to the mecca of professional wrestling, to rip out the festering tumours from the heart of the sport. This is their hive; they gravitate towards these shores. Seven weeks and seven wins later, all that stands between me and The Cleansing is Jon Snowmantashi. A road bump of a champion.”
She would be the respite that the sport needed, just as the harps had been for the violins. She only hoped it would not be too little, nor too late. She had seen this before, been this before. In 2002, she’d sat on the front step of their suburban, Rotterdam home, watching her mother drinking from the bottle through the open kitchen door and waiting for the ambulance to arrive for Maude. They should’ve called the morgue directly but nobody had the number. That had felt helpless. In the Tokyo Dome in early 2015, when she’d watched the veteran choose an eye rake over a clean break, she had known it to be futile. He only managed a couple of European uppercuts before Snowmantashi threw him into a corner and reeled off ten headbutts, before hoisting the old man into the air and slamming him back down with a sit-out powerbomb.
Michelle had sat in the rafters, almost able to feel the ring-rust sinking into her ill-conditioned body. She’d travelled around Europe for the best part of eighteen months, before returning to Japan as a tourist rather than a worker for the first time in her life. She’d seen a few events during the hiatus, but nothing like this, and never a man like Snowmantashi. He was strong, and had a focus and motivation that was hard to fathom. She had come to recognise nobody as unbeatable, but he thundered around the ring in a storm of vicious unpredictability. When the old hand had slid out of the ring, trying to catch a breather, the big man had instantly crushed him against the steel barricades with a suicide dive.
Some things were futile. Certain. Pre-determined. Snowmantashi beating an aging star in a show-match so some promoter could double the price of the tickets. Aunt Maude being pronounced deceased and wheeled out of the bed in the spare room, where she’d waited patiently breathlessly for two weeks. Ms von Horrowitz, Michelle’s mother, spending the majority of the years between 2002 and 2007 staring through the neck of a bottle and pinning all of her hopes on Bella. These things were certain. Some things were still to be decided. The future of the world heavyweight championship. The future of the CWA. The future of Jon Snowmantashi and Michelle von Horrowitz.
She had, of course, been running away. In retrospect, she had realised this as she sat there in the Tokyo Dome, watching Snowmantashi endlessly stomp the veteran’s head on the outside as the referee began his count towards twenty. Her decision to fly to America and accept some bookings on the east coast shortly afterwards was no coincidence. She had a tendency to run from things, but those days were as dead as Aunt Maude. When she’d found her, lying limply and lifelessly in a mound upon her bed, she’d closed the door to the spare room tight and pushed the discovery from her consciousness. She had run away from it despite never leaving the house.
She had thought all of these things in her comfortable seat at the Lincoln Centre, as she’d stared down at her sister’s pale face. Bella had the von Horrowitz eyes, deep green wells that told stories with no words. Only the loud, sudden entrance of the drummers had broken the spell, and dragged her into the present. They pounded heavily and furiously, hammering the strings into submission. The violins faded and the cellists died. The harps remained, stout and proud, but their spell was diminished, their music was twisted. The drums were the bringers of doom, and they were unstoppable.
They drove her back into the Tokyo Dome, where Snowmantashi heaved his lifeless opponent beneath the bottom rope. His Hailstorm followed, a devastating fireman’s carry into a cutter, and the Moonsault that came next was nothing but redundant. As she watched the lateral press, Michelle considered this champion as inevitable as the resulting three count.
When she’d stood in the ring with him, just over one year later, he would proclaim himself a force of nature. She had come to realise that there was truth to this. She’d hit him with the chair half a dozen times, and cut him open against the exposed turnbuckle, but still he’d asked for more. He’d stumbled out of the arena on his own two feet, refusing aid from the EMTs in an impressive fit of pride. And then he’d made his wordless statement, standing on the stage after she’d seen off Vegas, reminding her of what he’d said he was; more than just a man.
But she had to believe this wasn’t all futile. She had to believe in what she was doing. That it could be done.
“After Snowmantashi had taken the world championship from around his best friend’s waist, and I had outlasted thirty other competitors to earn the next chance to approach the summit, he stood in that ring and spoke as if he knew me. As if he knew my motivations and my ambitions and my methods,” she began again, in her locker room at the Garden. “Over the last month, I’ve made my opinion of our champion perfectly clear. I have called him simple, one-dimensional, mediocre. I call him ‘Man-Baby’, not only because he looks like an oversized toddler, but because his thought process is straight-forward, limited by his oh-so-finite intellectual capacity. And I stand by this. But I have no specific hatred for the Man-Baby. He is one of the few that I respect.”
She paused, allowing this last declaration to linger in the air. The sound of a huge pop from the crowd crept in through the walls as the McGinnis-Vegas bout drew to a close.
“The saviour of this company must hold its prize, and there is only one wrestler fit to drag its fading body away from the precipice. I had once thought, in fact, as I picked up my first wins against Sweet Annie and the Wolf-Man and the Green Adams boy, that perhaps I was not alone. You roared and blustered your way to the top, and McGinnis was blown away by your focus. But since, you’ve stalled and stagnated. Your reign has been propped up by protective bookers, your record blemished by a string of tag losses. You’d rather sign contracts than defend your belt.”
The picture that she’d painted of Snowmantashi evoked Bella, sitting on her corner of the stage, the music that she’d coaxed out of her cello silenced for the time-being. She looked impotent, a neutered appendage to the orchestra, the rest of the battle still raging around her.
“The Man-Baby’s response to this has been written for him,” she went on, massaging each wrist in turn, loosening up in preparation. “But he can’t hide behind blame for the bookers. Our champion should demand to compete, not be dragged kicking and screaming into each match he graces us with. And, when I prove that this kaiju is in fact just a man, when I hold his prize up before your eyes and your television screens fade to black, you will see that I am a woman of my word.
“Over the Bringer of Light and the Embodiment of Shade… the F’s Bell of the Ball and all of Humanity… whoever is deserving of stepping through my ropes and dancing my dance will get their opportunity. Whether they’re Indy darlings or Puro titans, all will come to pay their tribute and play their part in the rebuilding. But all will fall, and all will fade.”
In January of 2016, in the grand hall of the Lincoln Centre, Bella’s cello spurs into action once more. It drives those around it, the violins steadily falling into its rhythm, fiddle and viola bounding ahead. With it, a pianist awakens for the first time, answering the horns’ march. The trumpets flourish once more, but the harps and the mandolin are quick to subdue them. The drawn out notes of longing have gone from Bella’s music, as if it had been corrupted by the silence. It has made concessions, drawn to the power and the force of the horns and the drums and the mighty roar of their rhythms. The resulting finale is harmonic, truly, for the first time in the piece, building through themes introduced earlier by both sides of the battle. The conductor spirals and struggles to keep to its frightening pace. Its final note, shared by Bella’s cello and her opposite number amongst the ranks of the trumpeters, rings out for an unnatural length of time and the crowd is on its feet. But the two musicians are stifled by their submission. Neither are truly happy. Neither are truly themselves.
In July of 2002, on the front steps of a suburban Rotterdam home, she is joined by her sister. The body-bag left the scene an hour ago, and their mother hadn’t moved away from the table or her bottle. The moon hides behind the clouds as if in shame.
In February of 2015, at exit J5 of the Tokyo Dome, she stares back into the ring at the kaiju. He lifts his belt into the air and the crowd lap it up, though no championship was on the line in the one-sided bout. She rolls a cigarette hastily, her pale, usually-dexterous fingers a bundle of knots as the adrenaline rushes through her extremities. She knows it is time. Time it all began for real.
In February of 2016, in Michelle von Horrowitz’s locker room, a camera stands on its tripod, abandoned and switched off. The room is empty, the roar of the crowd rushing in through thick walls. The handle of the door creaks and then turns, the frame pushed open, a young man in a black CWA staff t-shirt entering. He’s under strict instructions to collect the camera from the locker room of the number one contender and post the footage after the final bell has been rung. Through the open door, Roy Orbison can be heard singing about a candy-coloured clown they call the sandman.