Box Office Update

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TroyTheAverage

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I don't see Ghost Rider making its money back. Only 1/3 of what the budget was in the second week with a very significant drop off.
 

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Universal had cash registers ringing from coast to coast as its 3D animated smash The Lorax blasted past expectations to score the biggest opening of the year by far. The low-budget party film Project X, 2012's umpteenth overperformer, opened in second place with an impressive haul of its own. The one-two punch sent the North American box office soaring 26% ahead of the same weekend from last year continuing a boom year which has seen long lines at multiplexes.

Surging to an incredible $70.7M this weekend, according to estimates, The Lorax dominated the marketplace with the year's top opening. It was also the biggest bow for a Dr. Seuss film beating the $55.1M of 2000's How the Grinch Stole Christmas and overall, the second largest non-sequel animated debut ever trailing just the $74M of 2007's The Simpsons Movie. That puts Lorax ahead of such recent 3D toons from power players Pixar and DreamWorks as Cars 2 ($66.1M), Kung Fu Panda 2 ($47.7M), Up ($68.1M), and Monsters vs. Aliens ($59.3M) as well as Fox's Rio ($39.2M) and Universal's own Despicable Me ($56.4M). It was also the third largest opening in the month of March after Johnny Depp's colossal 3D hit Alice in Wonderland ($116.1M) which debuted this weekend two years ago during the post-Avatar boom and the 2007 smash 300 ($70.9M).

Lorax indeed played like a sequel bringing in parents familiar with the children's book and kids interested in a fun and colorful ride. The studio partnered with dozens of corporate brands that provided extra marketing muscle hitting the target audience from every possible direction thereby boosting awareness and excitement by Friday, which was also the birthday of Dr. Seuss. The opening day saw a solid $17.4M in ticket sales but Saturday witnessed a spending surge climbing 80% to an incredible $31.3M. Most films this time of year never come close to that for the entire weekend. Sunday is estimated to drop 30% to $22M. Produced for $70M, Lorax averaged a sensational $18,965 from 3,729 theaters.

The road ahead looks bright for the Danny DeVito-voiced pic which should find its way across the $200M domestic barrier plus solid overseas sales. Audiences polled by CinemaScore gave the toon a glowing A grade plus there are no major new releases aimed at younger kids until the Snow White film Mirror Mirror at the very end of this new month. The Easter holiday in early April could also provide a boost if the film is still holding on then. Positive word-of-mouth from families should more than offset mixed reviews from critics. It's been a strong first quarter so far for Universal which already scored number one action hits with Contraband and Safe House.

Another of this year's low-budget, no-star vehicles had audiences opening their wallets as the party comedy Project X debuted with strength in second place with an estimated $20.8M from 3,055 locations for a solid $6,800 average. The R-rated film about three high schoolers that throw a wildly out of control party played mostly to older teens and young adults and an effective marketing campaign excited the target audience. The MPAA's rating description was essentially an invitation to high school and college students everywhere as the raunchfest was cited for "crude and sexual content throughout, nudity, drugs, drinking, pervasive language, reckless behavior and mayhem - all involving teens."

Project X cost a mere $12M to produce and Warner Bros. used Hangover producer Todd Philips' name in the marketing push to ensure that young adults knew they were in for some debauchery, only this time with characters too young to be concerned with getting married. Studio research showed that 67% of the crowd was under 25 while 58% were male. The CinemaScore grade was only a B, reviews were mostly negative, and Saturday sales dipped 6% from opening day so good legs are not expected. However, the modestly priced film will be a moneymaker and has continued the recent trend that has seen young adults come back to the multiplexes for their weekend entertainment.

Falling from its number one ranking last weekend but still holding up moderately well was the military training-video-turned-movie Act of Valor which declined by 44% to an estimated $13.7M. The Relativity release has banked an impressive $45.2M in just ten days and could be headed for a domestic finish of about $75M. Valor cost just $12M to produce and joins other low-cost 2012 hits like Project X, Chronicle, and The Devil Inside. Combined, the four films cost $27M to produce and will end up grossing north of $240M from North America alone. Of course, marketing costs were extra.

Denzel Washington's CIA thriller Safe House followed with an estimated $7.2M, down only 34%, for a solid $108.2M cume for Universal. The film now ranks as the Oscar winning actor's third biggest grosser after the $130.2M for his bad guy role in American Gangster and the $115.7M for his good guy role in Remember the Titans. Tyler Perry's latest pic Good Deeds tumbled 55% to an estimated $7M for a ten-day tally of $25.7M. Look for Lionsgate to end its run with about $38M ranking among his lowest performers.

With lots of kids fleeing to see The Lorax, the adventure hit Journey 2: The Mysterious Island fell harder than before dropping 48% to an estimated $6.9M in its fourth round. Warner Bros. has taken in $85.6M to date and should be able to break $100M domestically. Sony's romance blockbuster The Vow held up well dropping 39% to an estimated $6.1M boosting the total to $111.7M. The Channing Tatum-Rachel McAdams hit is the top-grossing film of 2012, for now.

Fox's action-romance This Means War held up well again with an estimated $5.6M, off only 33% giving the Reese Witherspoon vehicle $41.5M to date. Ghost Rider: Spirit of Vengeance fell 48% to an estimated $4.7M for $44.9M after 17 days. The Sony sequel is running 53% behind the pace of its 2007 predecessor though admissions are lagging even more since Spirit's take includes higher ticket prices and 3D surcharges.

The Weinstein Co. nearly doubled the screen count of its Oscar champ The Artist which found itself in the top ten for the first time in its 15th week of play. But that didn't mean the silent film connected with a more mainstream crowd. The Best Picture winner added 790 runs and grossed an estimated $3.9M from 1,756 locations for a dull $2,221 average. The estimate included a very optimistic 25% Saturday-to-Sunday decline so final numbers to be reported on Monday may come in lower. Despite the 82% increase in screens, the weekend gross rose just 34% putting the total at $37.1M. Though a low-budget production, The Artist was backed by an extensive and expensive marketing campaign over the past few months that simultaneously targeted consumers as well as industry voters. Adding hundreds of new prints and backing them with national advertising doesn't come cheap either. A final domestic gross in the $45-50M range may result.

Other Oscar winners tried to parlay statues into extra box office receipts. Original Screenplay champ The Descendants dropped 36% to an estimated $1.4M pushing the total to a hearty $80.5M for Fox Searchlight. It is now 2011's top-grossing Best Picture nominee released during the most competitive fourth quarter. Hugo, the most expensive of the top contenders and a winner of 5 Oscars, dipped only 14% to an estimated $1.3M for a $71.4M cume to date. Both films lost screens this weekend.

Also shedding a few playdates, but enjoying a healthy 30% surge from last weekend, was Meryl Streep's The Iron Lady with an estimated $900,000. The double winner for Best Actress and Makeup generated more interest from adult audiences and added a bit to The Weinstein Company's total which is now $27.1M.

The Academy Award winners in the foreign language and documentary categories both expanded to capitalize on the added publicity. Iran's A Separation added 160 screens and saw its weekend take jump 174% to an estimated $1M for a $3.7M sum and $4,123 average for Sony Classics. The football doc Undefeated expanded from five to 13 theaters and collected an estimated $84,000 giving The Weinstein Co. a $6,485 average and cume of $166,000 early in its run.

The top ten films grossed an estimated $146.7M which was up 28% from last year when Rango opened in the top spot with $38.1M; but down 20% from 2010 when Alice in Wonderland debuted at number one with $116.1M.

The Lorax $70.2M
Project X $21.1M
Act of Valor $13.6M
Safe House $7.4M
Tyler Perry's Good Deeds $7.0M
Journey 2: The Mysterious Island $6.5M
The Vow $6.0M
This Means War $5.6M
Ghost Rider: Spirit of Vengeance $4.6M
Wanderlust $3.8M

Damn, I didn't think the Lorax would do so well. I wander how well these will do with John Carter and Silent House opening next weekend. I hope Lorax lasts longer than Arriety did and glad I saw it this weekend too.
 

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The Lorax kicked ass. I'm not shocked though. That is way more than I thought it would make though. Surprised that Ghost Rider is still in the top 10 though.
 

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This weekend, Hollywood studios suffered failures of every kind with their new releases. The pricey actioner John Carter debuted in second place putting it far from where it needed to be to recover its enormous costs, the horror entry Silent House scored the lowest audience grade of the year, and Eddie Murphy's latest comedy A Thousand Words earned the worst reviews of 2012 from film critics. Instead, moviegoers once again made the animated comedy The Lorax the most popular film in North America and the overall box office continued to beat out last year's levels, although by a narrow margin.

Easily leading all movies in the marketplace, Universal held onto the number one spot with the Dr. Seuss toon The Lorax which slipped an acceptable 44% to an estimated $39.1M. The PG-rated hit averaged a sensational $10,430 in its second weekend from 3,746 theaters and continues to play to families and beyond. 3D and IMAX ticket prices have helped along the way and on Sunday, Lorax became the highest-grossing film of 2012 after just ten days of release with a cume of $122M. Breaking the $200M barrier should be no problem for the $70M production.

Landing in second place in its opening weekend was the mega-budgeted 3D sci-fi epic John Carter with an estimated $30.6M from 3,749 theaters for a $8,163 average. The gross itself was not all that bad for a sci-fi actioner releasing at this time of year. But it was far from what was needed to make a project with such a mammoth cost become a financial winner. Conservative estimates put the production cost alone at $250M while some industry insiders put it higher. Add in a lavish global marketing and distribution push and the total cost to make and release this PG-13 adventure came to nearly $400M. That eye-popping level is often reached by Hollywood tentpoles but with known brands like Pirates of the Caribbean, Transformers, and Harry Potter which result in billion-dollar global grossers. Last summer saw all three of those franchises come out with their first-ever 3D installments and each reached ten digits at the worldwide box office.

Disney's risky investment featured Pixar guru Andrew Stanton directing his first live-action film after his wildly successful toons Finding Nemo and WALL-E. The source material was a century-old novel which is cherished only in the hardcore sci-fi world and virtually unknown elsewhere. Reviews were mixed at best and the trailers and TV spots failed to generate much excitement with a broader action audience. Females had incredibly low interest and there was no starpower to pull in mainstream crowds. Overall, John Carter from the start had little in its arsenal to become a giant hit making the insanely large budget hard to justify.

Of course, international markets drive global box office and 3D action films are tops among those that work well overseas so the studio is counting on moviegoers around the world to show up. Carter's international debut was indeed impressive with an estimated $70.6M this weekend from 51 markets. All major territories bowed day and date except for China and Japan which are sure to contribute solid numbers in the months ahead.

In North America, John Carter played mostly to adult men. Studio research showed that 63% was male and 59% was over 25. IMAX 3D represented 16% of the gross ($4.9M) and overall, 64% ($19.6M) came from 3D screens which was an encouraging ratio by today's standards. The CinemaScore grade was a decent B+. Friday kicked off slowly with $9.8M while Saturday enjoyed a healthy 25% boost. Sunday is estimated to drop by only 31% to $8.5M.

Other effects-driven action films released in the spring have opened in the $30M range like 10,000 BC ($35.9M), Constantine ($29.8M), The Scorpion King ($36.1M), and Jumper ($27.4M). However, none carried the towering budget of John Carter and none had 3D surcharges. Disney even released its red planet pic Mission to Mars this very weekend in 2000 to the tune of $22.9M which at today's 2D ticket prices would put it ahead of Carter. Last year this weekend, the studio had a costly bomb with Mars Needs Moms which bowed to a pitiful $6.9M weekend and $2,218 average. Chances are the company will stay away from opening Mars movies in March for the time being.

Those young men that didn't show up for the Mars flick were busy partying it up with the raunchy comedy Project X which held up surprisingly well in its second weekend with an estimated $11.6M representing a 45% decline. With a Friday-to-Saturday drop on opening weekend and lackluster exit polls, the Warner Bros. title was expected to fall harder the way these types of films do. Instead, the target audience was uninterested in the three new offerings and showed up for this one which has now banked $40.1M in just ten days. Project X cost only $12M to produce and should finish with a promising $65M or so, joining Chronicle and The Devil Inside as low-cost found-footage pics that scored big bucks this year from young adult audiences.

Audiences hated the ending and gave a dismal F CinemaScore grade to the new horror pic Silent House which debuted in a tie for fourth place with an estimated $7M. The Open Road release averaged a weak $3,300 from 2,124 locations and saw no growth in sales on Saturday from opening day. The R-rated chiller starring Elizabeth Olsen as a young woman terrorized in her family cabin earned mixed reviews but featured a twist ending that ticket buyers were not at all entertained by. CinemaScore grades are often affected by the mood that polled moviegoers are in immediately after walking out of a theater so many vote on how satisfied they were with the final parts of the film. Devil Inside from January also met with an F before collapsing 76% in the second weekend.

Also collecting an estimated $7M this weekend was former number one Act of Valor which fell by 48% which was the largest decline in the top ten. Relativity has taken in a stellar $56.1M for the low-budget action film.

Eddie Murphy's latest career embarrassment came in the form of his new comedy A Thousand Words which tanked in its debut grossing only $6.4M, according to estimates. The Paramount release about a fast-talking agent that must refrain from speaking or else he will die (yes, that's the plot) failed to excite moviegoers and averaged a weak $3,360 from 1,890 theaters. The PG-13 film was eviscerated by critics and had the rare distinction of earning a Rotten Tomatoes score of 0%. Postponed for years, the DreamWorks production cost $40M to produce.

If there was any good news for Murphy it was that Words beat the openings of his recent box office disasters Meet Dave and Imagine That -- both PG-rated summer pics -- which bowed to $5.2M and $5.5M, respectively. This would be the only thing that could count as good news. The audience breakdown was 55% female and 61% 25 and older while the CinemaScore was a B-.

Universal's action hit Safe House followed with an estimated $5M, off 33%, for a $115.8M cume with solid legs going into its fifth frame. The Sony smash The Vow also held up well dropping only 34% to an estimated $4M raising the total to $117.6M. Channing Tatum aims for his second number one hit in as many months with Friday's release of 21 Jump Street.

Reese Witherspoon's action-romance This Means War is another film that audiences continue to flock to. The Fox title wasn't super strong out of the gate but has been posting good holds each week. This weekend saw a 33% dip to an estimated $3.8M lifting the sum to $46.9M. Yet another action title followed as Journey 2: The Mysterious Island collected an estimated $3.7M, off 44%, giving the Warner Bros. sequel $90.7M to date.

A pair of indie films enjoyed solid results in their limited debuts. The relationship comedy Friends With Kids opened in 374 theaters and landed in the number 13 spot nationwide with an estimated $2.2M and a good $5,799 average which was third best in the entire Top 20. Starring Maya Rudolph, Kristin Wiig, and Jon Hamm, the R-rated film from Roadside Attractions earned mostly positive reviews.

The Ewan McGregor-Emily Blunt pic Salmon Fishing in the Yemen opened in just 18 locations but took in an estimated $240,000 for a solid $13,333 average. Reviews were generally good for the CBS Films release which played to older women as exit polls showed that the audience was 61% female and 71% over 50. Yemen widens in existing markets Friday and then expands to new markets on the following weekend.

The top ten films grossed an estimated $118M which was up 5% from last year when Battle: Los Angeles opened in the top spot with $35.6M; but down 9% from 2010 when Alice in Wonderland remained at number one with $62.7M.

The Lorax $39.1M
John Carter $30.6M
Project X $11.6M
Silent House $7.0M
Act of Valor $7.0M
A Thousand Words $6.4M
Safe House $5.0M
The Vow $4.0M
This Means War $3.8M
Journey 2: The Mysterious Island $3.7M

I really thought John Carter was going to do better, but the land of Suess is reigning.
 

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Over 30 million is still damn good. It is actually doing better than I thought it was going to do.
 

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Odd couple Channing Tatum and Jonah Hill had North American moviegoers rolling in the aisles as their action-comedy remake 21 Jump Street debuted at number one with a terrific opening. No other film premiered in wide release and the overall marketplace fell below 2011 levels for the first time all year.

Sony scored a top spot debut with its undercover cop comedy 21 Jump Street which opened with an estimated $35M from 3,121 theaters for a muscular $11,214 average. It was the second biggest opening ever for an R-rated comedy outside of the prime summer season trailing only Jackass 3D which bowed to $50.4M in October 2010 helped by being a sequel and having extra ticket surcharges. It was the second impressive number one hit for Tatum in as many months following February's PG-13 romance hit The Vow which bowed to $41.2M. The actor-producer is on his way to enjoying back-to-back $100M+ grossers this spring. The slimmed-down Hill stumbled in December anchoring The Sitter, but he earned plenty of respect recently with his performance and Oscar nomination for Moneyball starring opposite another box office hunk in Brad Pitt.

A loose update on the 1980s television series which launched Johnny Depp's career, Jump Street attracted a broad audience as males made up 53% of the crowd while those under and over 25 were evenly split. Critics and audiences were divided, though, as reviews were remarkably positive while the CinemaScore grade was only a B. Plus Saturday sales were off 2% so the film's legs may not be as good as reviews would suggest. And with the box office juggernaut The Hunger Games ready to strike on Friday in more than 4,000 theaters, the cop pic will have its work cut out for it next weekend. Produced for $42M, 21 Jump Street will still turn a nice profit regardless of its overseas performance and could prompt a sequel. In a year overflowing with action hits, it was the first live-action studio comedy to truly attract a large turnout.

Universal's smash hit 3D toon The Lorax delivered strong results in its third weekend grossing an estimated $22.8M for second place. The Dr. Seuss pic faced no new competition for families and dropped by an acceptable 41% lifting the 17-day cume to a robust $158.4M which was enough to surpass the $154.5M final of 2008's 2D animated crowdpleaser Horton Hears a Who which boasted better starpower with the voices of Jim Carrey and Steve Carell. Lorax is now running a healthy 35% ahead of Horton and is on its way to breaking the $200M domestic mark. Only three March releases have ever managed to cross the double-century barrier - Alice in Wonderland, How To Train Your Dragon, and 300.

Fans of the mega-budgeted sci-fi epic John Carter were hoping that good word-of-mouth would lead to a solid sophomore hold, but that wasn't the case. Disney's pricey investment suffered a 55% tumble to an estimated $13.5M giving the effects-driven 3D pic $53.2M after ten days. The drop was in line with past spring action vehicles like 300 (54%), 10,000 B.C. (53%), and Clash of the Titans (57%). Should Carter play out in a similar way it could end its domestic run a bit above the $80M mark which would be disappointing given the mammoth production cost of over $250M plus the lavish marketing push. Overseas, holdover markets saw significant declines as the weekend brought in an estimated $40.7M from 54 territories with bows in three new markets including China. That represented an overall drop of 42% from last weekend however holdover markets averaged larger declines than that. The Mars pic has now collected $126.1M internationally and $179.3M across the planet we refer to as Earth. Reaching a final global total of $375M will be very hard which is unfortunate for the studio since roughly that amount was spent to produce and market the film.

The rest of the top ten was filled with aging titles falling into the $2-4M range. With Channing and Jonah taking away young adults looking for wild fun, the found-footage hit Project X tumbled 64% in its third round to an estimated $4M for Warner Bros. Enjoying a surprisingly good hold was Eddie Murphy's latest comedy flop A Thousand Words which declined by only 39% to an estimated $3.8M. Paying audiences liked the film better than critics who panned the Paramount release. With $12.1M in ten days, the final gross for Words will still end up at a dismal level with roughly $22M.

Close behind with an estimated $3.7M was the military actioner Act of Valor which fell 47% raising the total to an impressive $62.4M for Relativity. Universal's CIA hit Safe House took in an estimated $2.8M, off 43%, giving the Denzel Washington movie $120.2M to date. Grossing an estimated $2.5M was another action hit, Journey 2: The Mysterious Island, which slipped only 32% for a $95.1M haul for Warner Bros. The worldwide haul has now surpassed $300M.

Will Ferrell's Spanish-language Mexsploitation comedy Casa De Mi Padre attracted solid business in its limited debut and found itself in ninth place for the weekend despite playing in just 382 theaters nationwide. The Lionsgate release averaged an encouraging $5,759 per location although Saturday saw no growth over Friday's opening day tally. Reviews were not very positive but a decent number of moviegoers came out for something different.

Rounding out the top ten was the action-romance This Means War which dropped 43% to an estimated $2.1M. Fox has banked $50.5M to date.

In limited release, Jason Segal's R-rated comedy Jeff Who Lives at Home was met with a dull response from audiences as the Paramount release collected just $840,000, according to estimates, from 254 theaters for a lackluster $3,307 average. Reviews were upbeat but moviegoers just didn't see a reason to pay top dollar to see this one right away.

Elsewhere, CBS Films enjoyed a good expansion for its cross-cultural tale Salmon Fishing in the Yemen which widened from 18 to 62 locations in its second weekend grossing an estimated $455,000. Averaging a solid $7,339, the well-reviewed film upped its sum to $763,000. Also, critically-acclaimed Cannes Grand Jury Prize winner The Kid with a Bike platformed very well with an estimated $51,000 from only three arthouses for a superb $17,000 average for IFC Films.

The top ten films grossed an estimated $92.3M which was down 7% from last year when Limitless opened in the top spot with $18.9M; and down 17% from 2010 when Alice in Wonderland remained at number one in its third round with $34.2M.

21 Jump Street $35.0M
The Lorax $22.8M
John Carter $13.5M
Project X $4.0
A Thousand Words $3.8M
Act of Valor $3.7M
Safe House $2.8M
Journey 2: The Mysterious Island $2.5M
Casa de mi padre $2.2M
This Means War $2.1M

Lorax still holding on, John Carter is doomed in fail land. Next weekend will be the big test of the year.
 

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Holy crap. I didn't know that John Carter had a $250 million budget. Yep, it is a massive fail.
 

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better late than never.

Moviegoers poured into North American multiplexes for the hotly anticipated futuristic saga The Hunger Games which obliterated the competition with a jaw-dropping $155M opening weekend shattering records in the process. The PG-13 pic based on the wildly popular young adult novel about a future where teenagers are forced by a totalitarian government to compete in a fight to the death generated the third biggest opening weekend of all-time and the best ever for both a non-sequel and for a non-summer release. The only two bigger debuts were last summer's Harry Potter and the Deathly Hallows Part 2 with $169.2M including 3D surcharges and 2008's The Dark Knight with $158.4M. Both of those were released by Warner Bros. on the same mid-July weekend when all students were out of school. Landing in 4,137 theaters, Games averaged a scorching $37,467 per theater and was helped by 268 higher-priced IMAX venues.

The previous record-holder for best non-summer opening was The Twilight Saga: New Moon with $142.8M in November 2009. Johnny Depp's Alice in Wonderland, a 3D pic, held both records for top March and non-sequel debuts with $116.1M two years ago. Hunger Games easily smashed that mark. And in just two days, the Katniss pic matched the top-grossing film in Lionsgate history which was 2004's controversial documentary Fahrenheit 9/11 with $119.2M. The Michael Moore film wasn't even originally slated for release by the company as it was with Miramax and Disney which the Weinstein brothers then had to bring over to Lionsgate and IFC Films for the release.

Delivering this much business in the spring is nothing short of amazing. The Hunger Games movie followed more than a year of build up with fans getting hyped up for the movie event of the year thanks to all types of carefully scheduled marketing. Lionsgate involved fans all along the way and this weekend was the payoff. And it will be a lucrative film as the production budget was only about $75M while the total domestic marketing tab was roughly $45M which is low for a tentpole by big studio standards, but high for Lionsgate which usually involves itself with moderately-budgeted films. Although it is too early to really tell, the odds of cracking the $300M domestic mark are certainly in its favor.

Critics and audiences both gave great marks to Hunger. Reviews were mostly positive and the CinemaScore grade was a solid A. Even though films based on popular book franchises like this tend to drop heavy, this one may hold up well for a gargantuan of its kind. Part of the reason Hunger was able to open better than every Twilight film was that it had more male appeal. Studio research showed that 61% of the crowd was female as opposed to the 80% seen by the Bella Swan chapters. The male share was twice as big. Those over 25 made up 56% of the audience so a broad age range was reached. A red hot 2012 box office also contributed as people were seeing trailers, posters and standees in theaters over the past couple of months boosting awareness and excitement and the momentum certainly helped this weekend surge with all audience segments.

The historic debut started off with $68M on Friday including $19.7M from Thursday's post-midnight shows. That was the fifth best opening day and seventh highest midnights ever with only Harry Potter and Twilight sequels ranking higher. Obsessed book fans have intense demand to see film adaptations upfront and at the earliest possible show but often also see them again before the weekend is over. Saturday fell by 25% to $51M while Sunday is estimated to slide by 29% to $36M. Final grosses to be reported on Monday will show how close it comes to the estimate. At this dizzying height there is sure to be some change in the final gross.

Being a global phenomenon, The Hunger Games also saw impressive results overseas this weekend although the figures were not as eye-popping as they were in the U.S. The overseas launch in 67 markets delivered an estimated $59.3M for a worldwide opening weekend of $214.3M. Leading the way was Australia with $9.7M, the United Kingdom with $7.5M, and Russia with $6.5M.

The next film in the franchise, Catching Fire, will reunite the cast and director Gary Ross and is currently slated for release on November 22 of next year in a slot that worked wonders for many of the Twilight and Potter films being a week before the busy Thanksgiving holiday.

Despite the arrival of the new juggernaut, last week's top film 21 Jump Street held up remarkably well dipping only 41% to an estimated $21.3M even though much of its young adult audience overlaps with Hunger Games. There were no other major comedies in the marketplace and strong word-of-mouth had been spreading all week. The Sony remake has taken in a terrific $71.1M in just ten days and could be headed for $120-130M which would be rock solid for a film that cost $42M to produce. Street has collected $16M from 14 international territories with Australia and the U.K. accounting for most of the total thanks to strong legs in each market.

Universal's popular Dr. Seuss toon The Lorax fared well by playing to kids too young for a fight-to-the-death flick. The 3D pic collected an estimated $13.1M in its fourth frame, off just 42%, boosting the 24-day cume to a robust $177.3M. Lorax still stands as 2012's top-grossing domestic movie but will be shoved aside within days by Hunger Games. International markets have contributed $21.3M early in the overseas run for a worldwide take of $198.6M so far. Most major countries will open the film right before Easter school holidays.

Continuing its financial collapse, the sci-fi epic John Carter tumbled 63% in its third outing suffering the worst drop for any film in the top ten. Disney has grossed just $62.3M in 17 days domestically with the Mars flick and should end with only $70M or so. Grosses are higher overseas, but still not good enough to justify its enormous production cost of more than $250M. The overseas take this weekend fell 46% to $22.2M boosting the international total to $172.1M, or 73% of the $234.4M worldwide tally. Although Japan's debut is still ahead, the final global gross does not seem likely to go too much higher than $300M with Disney only getting a part of that amount back into its hands - not nearly enough to cover production and marketing costs.

The rest of the films in the top ten carved out very slim slices of the box office pie. The military actioner Act of Valor dropped 45% to an estimated $2.1M for a $65.9M cume for Relativity. The low-budget Warner Bros. hit Project X followed with an estimated $2M, off 52%, and a $51.8M total. The Eddie Murphy flop A Thousand Words laughed up an estimated $1.9M after declining by 47%. Paramount's modest collection stands at just $14.9M.

The new faith-based drama October Baby landed in the top ten thanks in part to competing films generating such low grosses this weekend. The PG-13 tale of a young woman trying to find the birth mother who almost aborted her bowed to an estimated $1.7M from 390 theaters for a lackluster $4,405 average. On any other weekend this year, the gross would not have been enough to crack the top ten.

A pair of big grossers from February rounded out the top ten. The Denzel Washington hit Safe House fell 49% to an estimated $1.4M while the Warner Bros. adventure sequel Journey 2: The Mysterious Island featuring Hunger Games star Josh Hutcherson took in the same amount after dropping 43%. Cumes are $122.6M and $97.2M, respectively.

The critically acclaimed Indonesian action film The Raid: Redemption locked up a strong debut in limited release with an estimated $221,000 from only 14 theaters for a $15,786 average. Sony Classics will expand the brutally violent cop film each Friday over the next three weeks which will take it into nationwide play by mid-April. The aggressive release should help build a new movie brand as Sony corporate cousin Screen Gems will be producing the American remake.

The top ten films grossed an estimated $204.8M which was up a whopping 96% from last year when Diary of a Wimpy Kid: Rodrick Rules opened in the top spot with $23.8M; and up a staggering 81% from 2010 when How To Train Your Dragon debuted at number one with $43.7M.

The Hunger Games $152.5M
21 Jump Street $20.5M
The Lorax $13.2M
John Carter $5.1M
Act of Valor $2.0M
A Thousand Words $2.0M
Project X $1.9M
October Baby $1.7M
Safe House $1.4M
Journey 2: The Mysterious Island $1.4M

Hunger Games kicked ass this weekend. I expect it to do the same this weekend. Pretty decent flick.
 

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Not surprised about Hunger Games. They even exceeded the projected $140 million they thought it would do.
 

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Despite a big drop, the teen-killing-teen epic The Hunger Games remained the most popular film leading the box office with more ticket sales in its second frame than the two new releases combined. The 3D action sequel Wrath of the Titans debuted in second place while the Snow White pic Mirror Mirror opened in third leading the marketplace to another sizable lead over year-ago levels.

Falling a large but understandable 60% from its record bow, The Hunger Games scored another $61.1M this weekend, according to estimates, propelling the ten-day cume to an eye-popping $251M. That allowed the Lionsgate release to break Avatar's record for the fastest non-sequel to break the quarter-billion mark. The Na'vi pic needed 12 days in December 2009 including the Christmas frame whereas Hunger had no holiday help. In fact, only three films in box office history have ever reached the milestone faster - The Dark Knight in eight days as well as Harry Potter and the Deathly Hallows Part 2 and Transformers: Revenge of the Fallen which both did it in nine days. Pirates of the Caribbean: Dead Man's Chest did it in ten days. All four were July releases when weekday numbers were much stronger thanks to students being out of school and the Potter figures included a boost from 3D surcharges.

The fact that Games could collect so much in such a short period of time outside of summer is nothing short of incredible. Overall, it was the seventh best performance for any film in its sophomore weekend and fourth biggest among non-sequels behind Avatar ($75.6M), Spider-Man ($71.4M), and Alice in Wonderland ($62.7M). Among second weekends, Hunger beat out every installment of the Harry Potter and Twilight franchises although the first wizard flick sold more tickets in its Thanksgiving-boosted sophomore round.

Katniss and pals saw a daily breakdown of $18.9M on Friday, $25M on Saturday (up 33%), and $17.3M on Sunday (-31%). At its current trajectory, the final domestic tally should reach the vicinity of $375M. Hunger Games just may stay at number one for a third weekend in a row as next weekend it will face the blast-from-the-past debuts of American Reunion in 3,200 locations and the 3D re-release of Titanic which sets sail on Wednesday in 2,500 sites. The Good Friday holiday should keep Games above the $30M mark in its third round putting the $300M barrier within reach by Easter Sunday after 17 days.

Overseas, The Hunger Games saw a 41% decline to an estimated $34.8M lifting the international total to $113.9M and the worldwide cume to $364.9M. Top market cumes are $17M in Australia, $13.1M in the U.K., and $11.3M from Russia. A final global gross near $600M is possible for the $75M production.

Opening in second place was the big-budget 3D action sequel Wrath of the Titans with an estimated $34.2M representing a sharp 44% fall from the $61.2M of its predecessor Clash of the Titans this weekend two years ago. The PG-13 Greek God pic averaged $9,647 from 3,545 theaters and saw an impressive 14% of the gross come from its 292 IMAX screens and 65% from all 3D venues (including IMAX). Clash, a remake of the 1981 film of the same name, was a massive box office hit grossing $163.2M domestically and $493M worldwide. However, its 3D conversion was widely panned as the film was conceptualized to be in 2D and was only converted at the last minute in order to generate higher grosses in the post-Avatar era. Many who came out and were disappointed in Clash skipped out on Wrath this time. Still, not many action films open north of $30M in the March-April corridor and this one is more intended for a global audience. The breakdown saw no surprises as males made up 66% of the crowd while 55% were over 25. Reviews were mostly negative and audiences gave a decent B+ grade from CinemaScore.

Overseas and worldwide, Wrath of the Titans stole the number one spot from Hunger Games. A massive launch across 60 markets resulted in a weekend bow of $78M for a worldwide opening weekend of $112.2M. With Hollywood's action and 3D titles performing extremely well overseas, and Wrath having a non-American setting and international cast, Warner Bros. is hoping to keep the grosses going over the coming weeks. Easter holidays will give students and adults extra time off too so more potential lies ahead. Red hot Russia led the way with $14M with China estimated to follow as second biggest although exact figures were not available because of holidays. Mexico ranked third with a $5M debut and Japan, the only major territory to not open this weekend, launches three weeks from now.

The fairy tale adventure Mirror Mirror starring Julia Roberts landed in third place with an estimated $19M in its first weekend in theaters. The PG-rated telling of the Snow White story averaged a respectable $5,273 from 3,603 and played to a more female-skewing family audience. Studio data showed that the audience was three-fourths female and 63% 25 and older. Produced for over $80M, the lavish fantasy pic earned mixed reviews from critics and a moderate B+ grade from CinemaScore. With the top two films in the country featuring high death counts, and The Lorax having been out for a month now, families with younger children found Mirror Mirror to be the only major game in town. Boys, not surprisingly, were hard to reach. Though the opening weekend was not exceptionally high, the long-term outlook is encouraging since many schools will be closed over the next two weeks for spring breaks and Easter holidays plus direct competition will be light.

Still pleasing the crowds was the action-comedy 21 Jump Street which slipped only 27% to an estimated $15M giving Sony $93.1M to date on its way to the century club by the end of the week. Soon to join the double century club, Universal's hit 3D toon The Lorax grossed $8M, down 39%, for a $189.6M cume to date. The big-budget actioner John Carter continued its rapid descent falling 61% to an estimated $2M for a total of only $66.2M to date. The Disney pic has suffered declines of 55-63% each weekend.

The British fly-fishing drama Salmon Fishing in the Yemen expanded again in its fourth week of play and jumped into the top ten at number seven with an estimated $1.3M. Averaging a mild $2,638 from 483 locations, the CBS Films title took advantage of weak grosses from current holdovers to make it so high on the chart. Before Hunger Games arrived last week, no film all year made it into the top ten with less than $2M on the weekend. This weekend there were five films at or below that level. Salmon's sum stands at $3.2M.

The low-budget Navy SEAL flick Act of Valor followed with an estimated $1M, off 51%, for $67.7M for Relativity. Eddie Murphy's latest flop A Thousand Words has amazingly spent four straight weeks in the top ten. The Paramount release took in an estimated $915,000, down 53%, for a weak cume of only $16.5M. Rounding out the top ten with only $835,000, according to estimates, was the adventure sequel Journey 2: The Mysterious Island which has banked $98.5M so far.

The critically acclaimed documentary Bully got off to a good start in platform release opening to an estimated $115,000 from only five theaters in New York and Los Angeles for a solid $23,000 average. The figure included a very optimistic 15% Saturday-to-Sunday dip as reported by The Weinstein Co. so the final gross may end up somewhat lower. Manufacturing a controversy out of its R rating led to plenty of nationwide publicity which helped fuel ticket sales. Harvey and company similarly spun PR gold out of their unsuccessful MPAA appeal for Fahrenheit 9/11 in 2004 which smashed box office records for docs. Although all kids can be admitted to an R-rated film as long as they are accompanied by someone 17 or older, the campaign pushed the notion that students were being deprived from getting an important message because of the MPAA. The fight-the-system plan worked wonders connecting to the activism element in the target audience. Bully expands Friday to six more markets including San Francisco, Chicago, and Boston.

The top ten films grossed an estimated $143.3M which was up 30% from last year when Hop opened in the top spot with $37.5M; but down 14% from 2010 when Clash of the Titans debuted at number one with $61.2M.

The Hunger Games $61.1M
Wrath of the Titans $34.2M
Mirror Mirror $19.0M
21 Jump Street $15.0M
The Lorax $8.0M
John Carter $2.0M
Salmon Fishing in the Yemen $1.3M
Act of Valor $1.0M
A Thousand Words $0.9M
Journey 2: The Mysterious Island $0.8M


Kind of Shocked that Wrath did as well as it did. It does look 500 times better than the first one that they remade, not shock about the hunger games and their wild hair and colors. In fact the lady that was with Flo Rida last night actually probably got her inspiration from this movie. I still cant beleve anyone is paying any money to see that waste of a film that Eddie Murphey has out either.
 

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North American moviegoers made The Hunger Games the first film of the year to spend three straight weeks at number one as the runaway blockbuster easily topped the Easter frame and shattered the $300M milestone in the process. 1990s nostalgia led the comedy sequel American Reunion to open in second place and the 3D re-release of Titanic to bow in third. Only one film fell into the normally wide range of $1M to $10M this weekend as a handful of pics accounted for almost all of the business over the holiday session which was about even with last year's bunny session.

Topping the box office for a third consecutive weekend, The Hunger Games pulled in an estimated $33.5M in ticket sales and shattered the triple-century mark in the process. Lionsgate enjoyed a respectable 43% decline and watched the cume soar to $302.8M after just 17 days of play. The Katniss hit now ranks number 37 on the list of all-time domestic blockbusters (just ahead of Harry Potter and the Half-Blood Prince) and has grossed more than every one of the Twilight movies. It even stands a chance of topping every Potter film too as its trajectory puts it on course to finish near the $381M of Harry Potter and the Deathly Hallows Part 2 which got a boost from 3D surcharges. With many high schools and colleges having spring breaks this month and a not-so-strong April line-up of new releases, Hunger Games could certainly maintain solid holds in the weeks to come.

American Reunion, the eighth film in the American Pie franchise and fourth to be released theatrically, debuted in second place with decent results grossing an estimated $21.5M from 3,192 locations for a $6,725 average. The latest installment in the aging series did not reach the heights of the last sequels that played in theaters - 2003's American Wedding and 2001's American Pie 2 - which bowed to $33.4M and $45.1M. Both were launched in the busier summer season, but also had lower ticket prices. Reunion beat by a small margin the opening weekend gross of the groundbreaking first film in the franchise which debuted to $18.7M in 1999, but sold about 25% fewer tickets.

Produced for $50M, a sizable amount for a comedy with no major bankable stars, American Reunion skewed older with studio research showing that 61% was 25 and older. Appeal was mostly even across genders with males making up 51% of the crowd. Reviews were mostly unflattering while paying audiences were generally satisfied with the entertainment value giving the R-rated pic a B+ grade from CinemaScore. Much has changed in the world of raunchy comedies since the last American Pie film was in theaters with Judd Apatow, Sacha Baron Cohen, and the Hangover films pushing the boundaries to new heights making the humor from Jason Biggs and pals not so bold anymore.

More than 14 years after breaking box office records, James Cameron's Titanic sailed back into theaters with a 3D re-release but found itself in third place, a position the original film did not sink to until its 17th weekend. The Paramount release launched on Wednesday in 2,674 theaters - the exact same number of locations it debuted in on December 19, 1997 - and grossed an estimated $17.4M over the Friday-to-Sunday weekend period and $25.7M across the five-day span. Averaging $6,488 per site, the Oscar champ lifted its domestic lifetime total to $626.5M, still number two all-time after the director's Avatar which banked $760.5M including its re-release.

The return of the iceberg romance was timed to coincide with the 100th anniversary of the sinking of the ship. Having a chance to make more money may also have been a factor. 3D re-releases of hits from the 1990s have become common lately. Last September, Lion King 3D bowed to $30.2M while in January Disney unleashed Beauty and the Beast 3D to a four-day $22.2M holiday opening. In February, the George Lucas pic Star Wars Episode I: The Phantom Menace got the same treatment and opened to $22.5M.

The first time around, Titanic made its cash from repeat business and unstoppable legs. There is no telling yet how the 3D update will hold up as it may play like similar re-releases with most business upfront from die-hard fans willing to pay again for one more theatrical experience, but no second helpings. Beast and Menace both dropped by more than half on their sophomore frames earlier this year. Titanic 3D did earn a solid A grade from CinemaScore so good word-of-mouth is certainly spreading.

Overseas, Titanic 3D debuted to $35.5M from 53 markets for a worldwide launch of $61.2M this weekend. It was number one in the U.K., Italy, and Germany with China getting its massive roll-out including 2,400 3D screens started on Tuesday. 20 more countries including Brazil and Mexico open next weekend. With the global launch, the worldwide lifetime gross has now broken the $1.9 billion mark with Cameron likely to have his second $2 billion megahit soon.

Tumbling 55% in its second weekend was the 3D epic sequel Wrath of the Titans which collected an estimated $15M raising the ten-day cume to $58.9M. That's a whopping 47% behind the $110.2M that its predecessor Clash of the Titans grossed over the same period which also included Easter. Look for Warner Bros. to end its run with about $90M.

Fellow sophomore Mirror Mirror held up much better thanks to the school holiday and a lack of competition for kids dipping 39% to an estimated $11M. Relativity's fairy tale adventure starring Julia Roberts has banked $36.5M in ten days and could reach nearly $70M making for one of the best performances for the Oscar-winning actress in a major role over the past decade.

Breaking through the $100M mark in its fourth weekend, the hit buddy comedy 21 Jump Street followed with an estimated $10.2M easing just 31% giving Sony $109.6M to date. Universal's The Lorax got a little help from the Easter holiday and dipped 36% to an estimated $5M boosting the cume to $198.2M after its sixth round. That puts the 3D Dr. Seuss flick ahead of past spring toons as it is running 37% ahead of 2008's Horton Hears a Who and 51% ahead of last year's 3D entry Rio.

Indie drama Salmon Fishing in the Yemen slipped a mere 23% to an estimated $975,000 putting the total for CBS Films at $4.6M. Sci-fi disaster John Carter collapsed by 60% to an estimated $820,000 with a disappointing $68M for Disney so far with not much more to come. Universal's Safe House rounded out the top ten with an estimated $581,000, down 26%, for a terrific $124.8M so far.

The top ten films grossed an estimated $115.9M which was up 1% from last Easter which fell in late April when Rio remained in the top spot for a second weekend with $26.3M; but down 30% from 2010's holiday when Clash of the Titans debuted at number one with $61.2M.

The Hunger Games $33.5M
American Reunion $21.5M
Titanic (in 3D) $17.4M
Wrath of the Titans $15.0M
Mirror Mirror $11.0M
21 Jump Street $10.2M
The Lorax $5.0M
Salmon Fishing in the Yemen $1.0M
John Carter $0.8M
Safe House $0.6M

The Hunger Games keep on taking First. Damn the Titanic re-release as it hurt American Reunion. Am I seeing John Carter and Safe House still in this list. Not bad.
 

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I wouldn't say the Titanic re-release hurt American Reunion, they aren't really targeting the same demographic. Could it perhaps be more due to the fact that yet another American Pie movie may not have been what a lot of people really wanted to see?
 

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I wouldn't say the Titanic re-release hurt American Reunion, they aren't really targeting the same demographic. Could it perhaps be more due to the fact that yet another American Pie movie may not have been what a lot of people really wanted to see?

I did and still do. Stiffler FTW

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Audiences made The Hunger Games the first film since Avatar to hold the number one spot for four consecutive frames as the runaway smash hit fended off competition from a trio of new releases. The Lionsgate pic held up incredibly well dropping only 35% to an estimated $21.5M which was enough to lead the box office field. The decline was its smallest yet and especially impressive since it was coming off of the Easter holiday session. Hunger Games has now amassed a stunning $337.1M in only 24 days of release shooting it up to number 22 on the list of all-time domestic blockbusters just ahead of the $336.5M of 2007's Spider Man 3. The Katniss sensation is now on course to outgross every Harry Potter and Twilight film in North America, even the final Hogwarts pic which was helped by 3D surcharges.

Overseas, the blockbuster continued to fade away dropping around 40% to an estimated $15M from 60 territories upping the overseas total to $194M and the worldwide haul to $531.1M. At its current pace, Hunger Games may reach $390M or more from North America and over $650M worldwide, not bad for a film that cost $75M to produce. All eyes now shift to Zac Efron who aims to topple the four-time champ next weekend with his romance The Lucky One which has been gaining traction.

Low-brow humor found its way into second place as the PG-rated comedy The Three Stooges scored the best debut among new releases with an estimated $17.1M. The Fox release averaged a decent $4,918 from 3,477 locations and appealed to younger kids who like to see slapstick comedy and the dads that loved the bumbling trio from ages ago. A lack of options for young boys during a time when many schools are on break also helped. Directed by the Farrelly brothers, Stooges played 58% male and 52% under 25, according to studio research. The CinemaScore was only a B- and reviews were generally negative but not as atrocious as they were expected to be.

Earning amazing reviews for a horror film, The Cabin in the Woods bowed in third place with an estimated $14.9M from 2,811 theaters for a respectable $5,283 average. The R-rated chiller about a group of college students terrorized while vacationing at a remote cabin scored early buzz thanks to its well-received premiere at the South by Southwest Film Festival. Glowing reviews only added to the heat and a launch on Friday the 13th certainly didn't hurt. Though a good debut, Woods did not generate a huge bow even though there have been almost no major fright films since early January. Lionsgate is hoping that positive buzz will keep the target audience interested.

While it didn't have the legs of its original release in 1997, the 3D update on Titanic did enjoy one of the best holds of any wide release dipping only 33% to an estimated $11.6M putting it in fourth place. After 12 days, the Paramount title has collected $44.4M lifting the lifetime domestic tally to $645.2M. Back when it was first released, Titanic actually surged 24% in its second weekend going from $28.6M to $35.5M.

But the real fireworks for the iceberg romance this weekend came from overseas markets where Titanic claimed the number one spot with a scorching $88.2M from 69 markets boosting the international gross for the 3D version to $146.4M including an eye-popping $58M launch in China fueled by 3,500 screens including 66 IMAX venues. In fact, Titanic 3D could very well be the first Hollywood movie to open bigger in China than in the U.S. and the gap between the two powerful markets is vast. This weekend, which marked the 100th anniversary of the sinking of the actual ship, the James Cameron hit ranked either first or second in 24 international territories allowing Titanic to smash the $2 billion global lifetime gross mark. A whopping 77% of the $190.8M tallied worldwide by the 3D upgrade has come from outside of North America where Fox, as with the original release, distributes.

Following in fifth was the comedy fourquel American Reunion which dropped 51% in its sophomore frame to an estimated $10.7M putting the ten-day total at $39.9M. Compared to the last theatrical sequels in the franchise, the $50M production is running 39% behind 2003's American Wedding and 54% behind 2001's American Pie 2. The Snow White pic Mirror Mirror fared well in its third round with an estimated $7M, off 37%, for a $49.5M cume for Relativity.

The 3D adventure Wrath of the Titans followed falling 53% to an estimated $6.9M giving Warner Bros. $71.3M to date from North America. A $16M international weekend put the overseas take at $188M raising the global gross to $259.3M. Close behind was 21 Jump Street which collected an estimated $6.8M, down 32%, and a $120.6M domestic tally.

Opening poorly in ninth was the sci-fi actioner Lockout which took in just $6.3M according to estimates in its first attack. Averaging a weak $2,708 from 2,308 locations, the FilmDistrict pic was distributed by Open Road and failed to generate much excitement. Reviews were not very encouraging. Universal's hit toon The Lorax rounded out the top ten with an estimated $3M, off 40%, boosting the cume to $204.5M making the Dr. Seuss film the highest-grossing animated film since the studio's own Despicable Me which grossed $251.5M in the summer of 2010. Worldwide, Lorax has banked $278.8M so far.

A handful of indie titles found themselves just outside of the top ten. The Indonesian cop thriller The Raid: Redemption expanded nationally from 176 to 881 theaters and rose to number eleven with an estimated $1M with $2.6M overall to date for Sony Classics. Salmon Fishing in the Yemen dipped a scant 8% to an estimated $911,000 lifting the total for CBS Films to $6.1M. The much-hyped documentary Bully widened with its new PG-13 cut playing in 158 theaters after screening in just six venues last weekend. The Weinstein Co. release grossed an estimated $534,000 for a dull $3,380 average and $813,000 cume.

The summer movie season got started overseas this weekend with Universal waging war early with the launch of its action tentpole Battleship which grossed an estimated $58M from debuts in 26 territories, 20 of which saw top spot bows. In Asian markets like Korea, Malaysia, Singapore and Thailand, the mega-budgeted $200M+ production generated the best opening of 2012 to date. China and Russia, quickly becoming the most important overseas markets for Hollywood action movies, will bow next week with the international cume expected to soar. The early launch gives Universal a two-week headstart over the superhero event film The Avengers which invades markets around the world over the final weekend of April before debuting in North America a week later. That puts Battleship in a tactical position to commence its offshore attack an unusual five weeks before the stateside launch which is set for May 18.

The top ten films grossed an estimated $105.7M which was down 4% from last when Rio opened in the top spot with $39.2M; and off 2% from 2010 when Kick-Ass debuted at number one with $19.8M.

The Hunger Games $21.5M
The Three Stooges $17.1M
The Cabin in the Woods $14.8M
Titanic (in 3D) $11.6M
American Reunion $10.7M
Mirror Mirror $7.0M
Wrath of the Titans $6.9M
21 Jump Street $6.8M
Lockout $6.2M
The Lorax $3.0M


pretty solid numbers here. Hunger games is still hungry it seems, but no real competition either
 

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This weekend, proving for the umpteenth time that African American casts can bring in the big bucks, Sony's Think Like a Man exploded into the top spot at the box office while the romance of The Lucky One debuted solidly in second. Both films knocked 4-time champ The Hunger Games from the top slot.

Based on the bestselling book by Steve Harvey, Think Like a Man dominated the box office with a stellar $33M opening this weekend, according to estimates, for a powerful $16,377 per screen average. Starring Michael Ealy, Regina Hall, Kevin Hart and Taraji P. Henson (amongst others), the film managed to make back its entire production budget (approximately $12M) in its first day in theaters. The industry should no longer be surprised when a film starring a primarily African American cast proves successful at the box office, but instead should be asking why more of them aren't made. There is obviously a large audience ready to devour these films. Reviews were mixed but audiences dug what they saw, giving the film an A grade at CinemaScore. This was also the fourth number one film of the year for Sony, following Underworld: Awakening, The Vow and 21 Jump Street.

Debuting in second place was the latest film adaptation of a Nicholas Sparks novel, The Lucky One which brought in an estimated $22.8M this weekend, for a per screen average of $7,228. As expected, the film played mostly to young women, with an audience breakdown of 76% female, and 52% under the age of 25. Reviews were mostly poor, but people who are suckers for romance didn't care as the film garnered a CinemaScore grade of a B+.

Making it a book-to-film trifecta, following its four-week reign at the top -- the first film since Avatar to do that -- the spring juggernaut The Hunger Games continued to pull in solid business by sliding only 31% to an estimated $14.5M in its fifth round. The Lionsgate smash upped its cume to a staggering $356.9M allowing Katniss and pals to rise up to number 19 on the list of all-time domestic blockbusters just ahead of the $352.4M of last summer's 3D threequel Transformers: Dark of the Moon. The next films to fall to the icy stare of Katniss will be Jurassic Park ($357M), and then Jesus himself in The Passion of the Christ ($370.8M).

Disney's yearly Earth Day documentary Chimpanzee opened nicely at number four this weekend with an estimated $10.2M. The film opened higher than the Earth Day films from the past three years which included Earth in 2009 ($8.8M opening/$32M total), 2010's Oceans ($6M/$19.4M) and last year's African Cats ($6M/$15.4M). I fully expect next year for Disney to hit their pinnacle with a documentary on puppies and kittens putting the past behind them and living together in harmony.

The Three Stooges stumbled to fifth place dropping 46% to an estimated $9M giving Fox $29M after ten days. Look for a final gross in the $45M range for Larry, Moe and Curly (but not Shemp). Falling 47% in its sophomore round was the horror flick The Cabin in the Woods with an estimated $7.7M for a $27M ten-day cume for Lionsgate. Look for a finale in the $40M range. Universal's comedy fourquel American Reunion collected an estimated $5.2M, off 50%, and has lifted its tally to $48M, which is about what American Pie 2 made in its opening weekend nearly 11 years ago.

James Cameron's Titanic 3D fell a steep 58% to an estimated $5M and has collected $53M for Paramount during this run. Somehow I don't imagine Cameron or the studio feel too badly about the dip as the lifetime total now stands at $653M. Sony's hit comedy 21 Jump Street fared well again dropping only 30% to an estimated $4.6M for an impressive $127M take to date. The stylish fairy tale adventure Mirror Mirror declined by 40% grossing an estimated $4.1M for a $55M sum.

The top ten films grossed an estimated $116M which was up 1.6% from last when Rio stayed in the top spot with $26.3M; and up 35.6% from 2010 when How To Train Your Dragon reclaimed number one with $15.4M in its fifth frame.

Think Like a Man $33.6M
The Lucky One $22.5M
The Hunger Games $14.7M
Chimpanzee $10.7M
The Three Stooges $9.8M
The Cabin in the Woods $8.0M
American Reunion $5.5M
Titanic (in 3D) $5.0M
21 Jump Street $4.8M
Mirror Mirror $4.4M

If you thought like a man then It would not have been number 1................




























Well maybe it would have.