Noumenon's Album Review

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noumenon

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Couldn't find the old one, so I'm gonna start over.

Coheed and Cambria - Year Of The Black Rainbow

The wait is finally over, the end is truly complete and the saga has finally come to an end. Perhaps the most promising progressive rock band since Rush have finally put forth their long awaiting prequel album to the Amory Wars Saga, "The Year of the Black Rainbow". Coheed and Cambria is a band that truly defines the genre of progressive rock, as every album they've offered has managed to be something completely bold and new, using the previous album as a springboard and natural evolution of its predecessor. Not only has C&C managed to evolve their musical sound, it ties in beautifully with the evolution of the story that Claudio is telling. It's far too detailed to explain, so if you're interested check it out, it's more than worth it.
So is "Year of The Black Rainbow" a progression in Coheed's music? No, not at all. It's a step back. Four steps back, and beyond that to be exact. This may not sound like a good thing for a progressive rock band to be taking steps back, but it makes perfect sense. Upon my first listen of the album I thought what I'm sure many others did. What happened to the shredding blues leads? Where are the intricate blazing guitars? Where's epic 10 minute tracks? Did Coheed really give up? Then it occurred to me, this is the prequel album. Coheed actually took a step back to "Second Stage Turbine Blade" and figured out what the logical sound leading up to that album would have been. It's honestly brilliant once you let it all sink in. Never before has a band knowingly took a step back through their career and created an album they would have written BEFORE another.
So with that out of the way, when popping in "Black Rainbow" don't expect to hear the kind of blues driven epics that we became familiar with on "Good Apollo" and "No World"... but instead the fast paced, no nonsense sound that Coheed burst onto the scenes with. I must say, Chris Pennie's Dillinger raised drumming techniques lend themselves beautifully to this album. The album is really reach and textured with far more synth really interesting guitar tones than we've seen from Coheed yet. One thing Coheed has always been known for is the continuations of melodies and riffs between albums, yet "Second Stage Turbine Blade" had always been left off of that chain, until now. Some songs begin to form the rudimentary melodies and hooks of some "Second Stage" songs.
For those who became a fan of C&C off of the later albums I wouldn't recommend diving straight into "Black Rainbow". It's something that die hard Coheed fans will appreciate and understand, but more casual fans will probably be completely baffled by the extreme change in sound and style.
Just imagine this. Your favorite movie or movie series of all time is given a prequel. And the in the extremely rare occurrence it's done flawlessly, that is the only way to describe "Black Rainbow".
Stand out tracks for me are: This Shattered Symphony, Made Out of Nothing, Pearl of The Stars
 

Wordlife

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This review was simply amazing, I don't want to say this in a weird way because it's your own review, but, great job!

No lies, after you got me hooked on C&C after their earlier stuff, I found it hard to listen to their music. I really cannot stand Claudio's high vocal range, it's quite annoying. But I've given them a shot after you said so and to try and give them a listen and to be honest, they improved greatly. This album is a step in the right direction, though like you said in the review, its somewhat of a prequel.
 

MizMasta3000

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Nice bro.

Tbh, if you didn't request for me to get you this, I wouldn't have downloaded it. Totally dissapointed and upset.
 

noumenon

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Slash S/T


So, it's been a while since we've heard anything of value from our favorite ex Guns N' Roses/Slash's Snakepit/Velvet Revolver guitarist, the curly haired and top hatted Slash. While on extended hiatus from Velvet Revolver, Slash has been toying around in the studio writing various material in anticipation for another project. Slash however took an interesting road on this one, he instead enlisted the help of various lead singers and front men/women to write, record and produce an album with him.
To be honest, this is the best work that we've heard from Slash in quite a long time. The fire finally seems to be back in his playing, the ripping blues solos and catchy hook riffs overlaying YES IZZY FUCKIN STRADLIN'S rythm playing. Each song is tailor made to fit the vocalist's style and it just works beautifully. We get to hear how Slash would sound in various fantasy situations playing with some of the best artists out there.
Here's a track by track breakdown of the album...

Ghost ft. Ian Astbury (The Cult): Great tune to start the album out, nice little hook of a riff going on here... typical work by Ian. Great album opener.

Crucify The Dead ft. Ozzy: I believe this track was actually written by Jack Osbourne. This one could effortlessly be dropped onto Ozzy's "Down To Earth" album without seeming the least bit out of place. Slash did a great job of not taking Ozzy too far out of his comfort zone.

Beautiful Dangerous ft. Fergie: Honestly a really cool track. Fergie for those who don't know is actually quite a big fan of metal and rock in general and has a phenomenal rock voice. She's actually joined Alice In Chains, Heart and others on stage several times.

Back From Cali ft. Myles Kennedy (Alter Bridge): One of my favorite vocalists out there, Myles really delivers on this track. Awesome layered bluesy rock feel all the way through on this one. Interestingly enough Myles at this point is rumored to be the touring vocalist for Slash's tour in support of the album. And fingers crossed...maybe even the new vocalist for Velvet Revolver, or perhaps even an entirely new project.

Promise ft. Chris Cornell (Audioslave): I was really hoping we'd hear some Soundgarden Chris on this one, sadly we get Audioslave Chris. Great track none the less.

By The Sword ft. Andrew Stockdale (Wolfmother): Extremely Zeppelin'esque track. Really dig this one.

Gotten ft. Adam Levine (Maroon 5): Honestly, listened to this song twice. Hate Adam, can't stand his voice or this track, sorry.

Doctor Alibi ft. Lemmy Kilmeister (Motorhead): This track is just balls out, kick ass rock. One of my favorite one the album. Slash and Lemmy is definitely a majorly winning combination.

Watch This ft. Dave Grohl & Duff Mckagen: Instrumental jam track. Cool stuff. Anything to get Dave on the drums huh?

I Hold On ft. Kid Rock: You've got to give Kid Rock credit where it's due. The guy has improved upon his voice immensely and really meshes well with Slash's blues driven playing. Just a really chill Skynrd'eque track here... you know how Kid Rock does.

Nothing to Say ft. M. Shadows (Avenged Sevenfold): This one really takes Slash outside of his comfort zone of guitar playing. I'm not sure how I feel about this one. I'm not too big on Shadow's voice and it's just odd to see Slash adapt his playing that much.

Starlight ft. Myles Kennedy (Alter Bridge): Not enough can be said about Myles voice accompanied by Slash's playing. Please let something come of this.

Saint is a Sinner ft. Rocco Delucca: Nice little chill folk'ish acoustic diddy here. Interesting track.

We're All Gonna Die ft. Iggy Pop: One of my favorite tracks I've heard from Iggy in a long time. Slash and Iggy really compliment each other extremely well.


Best match ups on the album...
Slash/Myles Kennedy
Slash/Kid Rock
Slash/Lemmy