"Old Town", Sleepy Oak, Minnesota, April 30, 2021
*Sleepy Oak's "Old Town"... a classical district of the city named for being the original site of the town's founding. We have the nostalgic and noir feeling, buildings built between the 1890s and 1920s. In this locale are historical buildings such as the Scott Anderson Historical House, the Sleepy Oak Municipal Arena (home of the 16x NCAA Champion Sleepy Oak University Ice Hockey Team, known as the Centurions), and the Sleepy Oak Sanitarium. In this low-income-based part of the city, crime and poverty are fairly common, though steps in the 21st Century have led to a major decrease in crime since 1985. Down Wallington Street, the business area of "Old Town", we see Brian Zewbowski walking, with Sarah Zewbowski in tow. Brian wears a Slayer t-shirt, dark blue jeans, and black boots; he also carries a bag that is wrapped around him. Sarah wears a nice little t-shirt and jean combo, alongside Chuck Taylor shoes.* They pass several classic Sleepy Oak storefronts, Eddie's Cafe (run by the Eddie family since 1936), Mason Jewelers, and Louie's Furniture. Brian sighs and looks around at the quiet-ish street. Few pedestrians and cars pass by during the mid-day sprawl.*
Sarah: This place looks pretty ancient if you ask me!
Brian: That's because Sleepy Oak is over 150 years old. A lot of these buildings have been standing since the Second Industrial Revolution.
Sarah: No wonder. You'd think they'd remodel these buildings after a while to give it a new look.
Brian: No need to. As long as they're structurally sound, they don't need to fix them. I'm just wondering what the hell we're looking for...
*The voice in Brian's head whispers. It tells Brian something seemingly incoherent. Brian rubs the bridge of his nose and eyes.*
Humanity: You're definitely close. You just need to look down.
Brian: Wah-? Look down?
*Brian shows a confused look as he peers across his surroundings. He's not sure what the hell the thing means by "looking down". Sarah taps Brian on the shoulders and points towards a street corner.*
Sarah: They've even got basement shops. What do you know? This town really is old, isn't it?
Humanity: Man, she figured it out faster than you.
*Brian rolls his eyes and bursts a quick comment out loud.*
Brian: Oh shut it-
Sarah: Eh?
Brian: N-nothing. I just- I never noticed that before. Let's take a look.
Sarah: We're really going to check it out?
Brian: It might be what I'm looking for...
*Brian crosses the street, with Sarah following closely after. He looks down the dilapidated stairway, made of cement and stone. He glances over to the worn and barely legible sign screwed to the wall: "Harvey Brenton, P.I." Brian ponders for a few moments and thinks to himself. He wonders if this is really what he should be doing. He has this horrible feeling that he should turn around and leave and never come back. But the voice in his head speaks.*
Humanity: It's the right place, Brian. You must go down there. We must go.
Brian: Alright... Sarah, let's go.
Sarah: We're really going in there? I'm not so sure.
Brian: I know what you mean...
*Brian and Sarah edge their way down the steps of this place. They notice the door next to it appears to be of Neo-Gothic design. Brian slowly clasps the door handle and wriggles it open. As it slides open, we're introduced to a small smoke-filled hallway. A standing coat hanger lies in the corner and older music from the late '40s pervades through the smoke. Brian and Sarah step forward curiously and look around the hallway. Brian turns to look at one of the portraits in the hallway... and he notices something that nearly turns his skin white. His anxiety spiked at the sight of that thing which he couldn't believe... it was the man from the library! This photograph looks to be of a younger version of the man he witnessed in the library... Brian turned as a door in the hallway opened, and out came... him. The man from the library, though visibly the age he was when Brian had met him before. Sarah and Brian look at him as he smokes a cigarette and wears a suit of velvet; he is also wearing round-glasses with a horn rim. He looks at the two and chuckles to himself.*
???: What can I do for you two? Are you looking for something?
Brian: Ah... w-well you see...
Humanity: Show him the book, Brian. He's on our side.
*Brian shifts and slowly reaches into the bag he's holding. From the bag comes the damned book: Mundi Deglutiens. The man glances at it, his smirk wiping away quickly and piercing Brian with a deathly serious aura.*
???: Right... You come with me, I'll have to ask the lady to stay behind. I know what he's here for.
Sarah: Alright, I understand. I'll wait here, Brian.
*The man nods his head to Sarah and motions for Brian to enter the room he had come from. Brian enters into what appears to be a private office, filled with newspaper clippings of strange happenings throughout Sleepy Oak and other occult matters. A shelf stands full of occult books and other supernatural texts. The man closes the door behind him and takes a few puffs from his cigarette.*
???: The name is Harvey Brenton. I'm your ally here. You must be one of Mortis's vessels.
Brian: W-wha?
*Brian's confused demeanor shifts as his eyes go from bright blue to dim brown. He stands tall and the neutral expression on his face shows that it is Humanity in control for that moment. The two are now switching control one at a time... Harvey is not impressed or shaken by this occurrence, seemingly used to it already.*
Humanity: Correct. It's been a while, hasn't it Harvey.
Harvey: Indeed. The last time we met, it was in that jam with the SSI and the Karban'chi... Time really flies.
Brian: So you two know each other...
Harvey: Of course, my good man. I've known Mortis for decades. But... I admit, if you two are in possession of the Mundi Deglutiens, then the situation is dire. I thought I destroyed that book long ago.
Humanity: We collected it from you in the past... well, another past.
Harvey: *puffing from his cigarette* I see, was the world destroyed?
Humanity: You were dying, Harv.
*Harvey takes one last inhalation from his cigarette before putting it out in a used ashtray. He sighs and walks to his desk, sitting back and pondering for some time.*
Harvey: ...Then it was good we kept Ammar from getting that book. I guess he's on the move, is it?
Brian: Mortis... Ammar... what is going on here? I keep hearing these names and still don't know what any of this means.
Humanity: Now isn't the time, Brian.
*Harvey leans forward, resting his elbows on the desk and thinking for a bit before speaking up in objection to what Humanity, whom Harvey calls Mortis, has said.*
Harvey: I think now is the perfect, time, Mortis. I see Mortis never told you the whole story, er, Brian, was it? You need to listen carefully. Maybe you've realized it by now, or perhaps you haven't; you Brian, are part of something big. We're all part of something big. It's the end of the world if we fail. This town is the center of it as well. |